![]() ![]() - Free and Low Cost Assistive Technology of the Week 21/10/16 - Visor - Chrome Extension.- Free and Low Cost Assistive Technology of the Week 28/10/16 - Remember the Milk.- Free and Low Cost Assistive Technology of the Week 05/11/16 - ClaroCom.- Free and Low Cost Assistive Technology of the Week 12/11/16 - GrackleDocs.- Free and Low Cost Assistive Technology of the Week 19/11/16 - Braci.- Free and Low Cost Assistive Technology of the Week 25/11/16 - Wheelmap.- Free and Low Cost Assistive Technology of the Week 02/12/16 - Eldy Tablet.- Free and Low Cost Assistive Technology of the Week 09/12/16 - Microsoft Accessibility Checker.- Free and Low Cost Assistive Technology of the Week Christmas AT Quiz.- Free and Low Cost Assistive Technology of the Week 16/12/16 - AccessNote.- Free and Low Cost Assistive Technology of the Week 02/17 - Audio Game Hub.- Free and Low Cost Assistive Technology of the Week 03/17 - IssieBoard.- Free and Low Cost Assistive Technology of the Week 04/17 - EverNote.- Free and Low Cost Assistive Technology of the Week 05/17 - Thumbly.- Free and Low Cost Assistive Technology of the Week 06/17 - MyScript (iOS and Android).- Free and Low Cost Assistive Technology of the Week 07/17 - News Hook (Web, iOS and Android).But it’s a heck of a lot more fun than genetic engineering … or the plague. ![]() ![]() Rapid iteration? Quick contagian? Generational evolution? Hmmm… sounds a bit like what’s happening on a larger level as creations like this spread around the Web. If you can tear yourself away from playing with this wonderful toy, you can get deep into genetic code for musical composition and spectacular SuperCollider creation. Check out his terrific video on this work, as built in the open source tool SuperCollider. His musical expression is generally procedural by nature, expressed as a set of rules in compositional form. And for that, you can thank “computational sound artist” Batuhan Bozkurt of Istanbul. Great design, embodying musical sense in the structure of the tool itself, makes this a hit. Want further evidence? Look no further than the Facebook page, or better yet, open discussion on Reddit: Flash may not be the best rich tool the Web has ever seen, but it’s only the means to an end – the end being getting things in a connected browser. App or not, the Web is what makes software successful these days, through YouTube views, blog posts like this one (ahem), and even casual “look what’s on my screen” sharing that results in the exchange of a URL anyone with a browser can run. Otomata running the browser.īut it’s Web sharing that’s already making it powerful – people sending around links, sharing creations, and showing friends. But app or browser window, it doesn’t matter: the Web is what makes new ideas spread. ![]() “This should be an app, bro,” says a Facebook commenter. It runs as a Flash file, which gives pretty much anyone access to it (including the majority of people on the planet who still don’t have either an iOS or Android device). Right now, Otomata is not an app, though iPhone/iPad and Android versions are reportedly in the works. In all the discussion of “apps” versus the Web – a discussion as old as the network itself, having appeared as “cloud computing” and various other forms before – people may be missing the point. I’m late in posting it, but in a way, that’s a good thing – in the time that this sequencer has spread around the Web, it’s spawned a small army of casual musicians producing their own videos and patterns.Īnd that brings me to an observation. Otomata is a simple generative online grid-based sequencer, owing to a number of step sequencers and Toshio Iwai’s Tenori-on, with some beautiful circular visualizations of the resulting sounds. Behold the power of the Web: composition ideas become a tool, a tool becomes a means for even casual users sharing musical sketches, and a browser toy can be a window into a Turkish sound artist breeding musical DNA like some people breed strains of flowers. ![]()
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